Posted in sewing

Warm, waterproof, hooded and pockets: Jalie 2680, Stretch City Coat

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There have been a thousand and one reviews of this pattern gem.  It’s about to be a thousand and twoooo. You see, I finally got around to making the Jalie City Coat and I am 120% in love with it. 

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I really needed a jacket for travel and to casually throw on in the fall season. Something waterproof and with a hood ideally for walking the dog or running to the store. The Jalie City Coat does all those things AND had extremely flattering and easy to adjust princess seams.

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First, the pattern does call for a low stretch fabric. My soft-shell with merino wool backing from Fabricmart has stretch. But, I managed to cut it with the stretch going lengthwise vs horizontal. After a few panicked messages on the Jalie Facebook group, I was assured from others it would fit. And, it does!

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My other error made a longer lasting impact. My iron was WAY too hot when I applied interfacing to the front facing. It melted the facing, which caused it to shrink. I had to get ‘creative’ (read, made a mess) with the hem. Which caused some not so great pulling at the front and wonky hem. THIS DOES NOT ABATE MY LOVE OF THE JACKET.

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Now, on to the good parts!

ALTERATIONS:

  • Made a Size Z grading to a BB at the thigh.
  • 1″ FBA on the princess seams
  • 1″ swayback adjustment (I think I could do without or it was too much for the pattern)
  • I did not make a full bicep adjustment and I wish I had. There is about 2″ of ease of me in the jacket. So, when I wear a sweatshirt, there’s no excess ease. A coat needs 4″ of ease. An unlined jacket 3″ of ease. But, I cut out the pattern before I thought about the arms. I don’t think the sleeves are slim. I have larger arms.

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You’ll notice there’s some fabric drag around the pocket areas. I believe this is because I accidentally cut the fabric with the stretch going vertically instead of horizontally. So, it’s not as stable as it should be.

The jacket is drafted unlined. Which I welcomed because I wanted an easier project with less finishing. It also gave me a chance to use my new Brother CV3550 coverstitch machine. In fact, this project was basically my unboxing as it sat in storage while we moved for several months.

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For this jacket, I finished most of the seams with the coverstitch. It provided the topstitching a seam finish in one pass. Using the written directions I wasn’t able to finish the front princess seams in a way that made me happiest.

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If I were to do it again I would:

  1. Increase the SA on front and pocket seams to 5/8″ . Then, I’d be able to sew it as directed and go back and coverstitch for the topstitching. OR serge the front panels first and then topstitch. You could also add 1/4″ to the pocket seam and french seam them for a neater finish.
  2. Make the side seams 1″ SA to allow letting out later on.

When I make this again I will:

  1. add reflective tape at the yokes and lower arm seams
  2. I’d add a little walking ease.
  3. Serge the pockets or sew them as french seams, maybe bind the pockets?
  4. Speaking of binding, I used my binder attachment on my coverstitch to finish the facings.

Interfacing is optional in the facings and I used it. I’m glad I did as I think it helps provide support for the buttonholes.

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Finally, hemming was also done on the coverstitch.


This whole project took a little longer than I’m used to with sewing. For those who aren’t on Instagram, we moved about two months ago. We haven’t sold our old house yet (more stressful than I anticipated) and I have unpacked the bare minimum for my current sewing room. There’s a lot of work that needs to be done in my sewing room starting with hardwired lights. But, that’s a big financial project and we haven’t sold our other house yet, lol.

I also started this project a few days before I had an easy, outpatient surgery to remove endometrial tissue from my abdomen/navel area.  I’d been extremely uncomfortable for six months (trouble standing upright, not being able to sleep on my side or my stomach, waking up from cramps and weird pains I can’t even describe, no waistband touching my midsection) and finally went to my doctor for an endometriosis diagnosis and scheduled surgery. I was told the recovery would be brief, “back on your feet in hours”. And I was in fact home and in bed for a week. I’m also off of strenuous, core exercises and weightlfitng until the new year for fear of causing a hernia. The point I wanted to make on endometrios is listen to your body and go to a doctor when something doesn’t feel right. I shouldn’t have waited five months. I had no clue it was that or that there were some treatment options available to me. I feel much much better now and am working to keep it under control. Whew. I wrote a lot more there than planned. Next post: just sewing 😉. I made some red linen pants for our warm Thanksgiving mini break that I want to show you.

 

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Posted in sewing

Starting a Winter Coat: Cascade Duffle by Grainline

Every year I say I’m going to make a coat, then I don’t. I started one in 2014 and the muslin was a disaster. I sourced wigan from you back then and didn’t move forward. Last year I pin fit the Cascade Duffle by Grainline and lost steam and time. I also muslined a Burda coat I’d long loved. But, it was a horror on me.

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Friends, I have five (possible seven) cuts of wool coating and four cuts of rain coating sitting in my stash. And, when I say sitting, I mean stacked in corners, on chairs and crammed on shelves.

So, within the next year I’d like to make three coats. A camel wrap coat, a navy anorak/  rain coat with a hood and a plaid duffle coat. I figured the plaid duffle coat would be hardest, so I’m starting with that.

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I’m going to document my process here. Mostly to help anyone else out who decides to tackle this with a similar body type.  Secondly to have an old fashioned blog post. I post so much more on Instagram now. But, I miss long documentations for reference. For the record, I don’t think Grainline is particularly friendly to my body type: busty and booty. But, I love, love, love duffle coats and have never found one in store that would fit across my chest. And, as this is not particularly fitted may still work!

Based on the finished measurements and wanting enough ease to wear a sweater underneath, I’m going with a 14 grading out to an 18 at the hip/ upper thigh.

Pattern Alterations:

  • FBA: 1″ darted FBA to the garment and a 1″ princess seam FBA to the lining and facing.
    • There is a lot of ease in this garment. But, I really like things to fit as well as possible. And, on other Grainline wovens I’ve made had terrible draglines without a FBA.
  • Lengthen center front / zipper placket 1″ and interfacing piece
    • Done because of the FBA
  • Lengthen two-piece sleeves and sleeve lining 1″
    • I like a really long sleeve and read a few reviews that thought the sleeves were short
  • Widen bicep / arm  and lining 1″
    • I find the Grainline sleeve crazy narrow. And, when I measured there was barely an inch of ease.
  • Merge bottom and front bodice together for front and back
    • I’m working with a plaid fabric and have no desire to match plaid there
  • Merge / overlap the hem facings for the front and back
    • Nice touch. But, I don’t need it for this.
  • Narrow shoulders .25″ on garment and lining
    • I was gonna do a full half inch but decided I wouldn’t mind if I had shoulder pads
  • Swayback adjustment .75″ on garment and lining.
    • For the garment I took it from the shoulder to eliminate the need for a center back seam.
    • For the lining I took it from the waist with a horizontal overlap/ dart and made sure to true the hem.

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I usually trace indie patterns. But, with 40 damn pieces I threw caution to the wind. That said, I would suggest buying a copy shop version of this pattern. That way, if you need to recut a pattern piece you can pretty easily.

Above is my pin fit. I also tried it out on my body and it’s pretty good I think. Here are my general steps over the next month or so

  1. Cut lining, sew lining, hope it fits!
  2. Mark pattern for plaid placement
  3. Layout and cut garment fabric from one layer of fabric
  4. Interface garment fabric and make back stay
  5. Construct main garment
  6. Attach lining
  7. Finish by Christmas. I know that’s so far away. But, I don’t have as much hands on sewing time as I used to.

That’s it for now. I’ll work on the lining and keep you posted.

Posted in sewing

Butterick 6244: In Which I Conquer My Fear of Plaid

I love plaid so hard. I have so much plaid in my stash I could open a kilt shop. But, I hardly ever sew plaid because I’m terrified of matching.

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Forgive my pigeon toes. Please.

I was inspired to make this waterfall coat for two reasons. I have too much coating fabric that’s not getting sewn (eight cuts and counting). And, I saw a very cool Burberry poncho that I couldn’t afford. I made my friend Sheryl go to Burberry with me to try this on. It was flawless. I also tried on a duffle coat and had small tears in my eyes when I put it back on the hanger.

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Said poncho is $900

This fabric (ostensibly Burberry) was $5 or a yard during my ‘trench coat with wool liner’ phase about five years ago. I never made that warmer but the fabric remained. I in fact have it in a second camel color way (that will hopefully become a poncho next season).

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I sewed this coat in bits and pieces over two weekends. Which is really good for me. It allows me to not mind techniques taking a bit more time. I thread traced my darts instead of just marking (or eyeballing) them with chalk.

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I actually did all the flat fell seaming with my terrific Bernina foot.  And, for all these small touches, it made a big difference in my construction process.

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It was very windy

Because I don’t sew Butterick often I wasn’t quite sure what size to go with. Based on the finished measurements, I sewed a 14 grading to a 16 in the thighs. I did baste the side seams to make sure I had a fit I could live with. I also decided to forgo an FBA because the coat isn’t meant to closed and there’s a ton of drape / ease here at the front. Overall, it’s got a very modern blanket coat vibe and I could have probably gone down one size.

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I made only one alteration which was to shorten the shoulder seam. Of course, I shortened it after I’d sewn in the sleeve :-/

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One main sewing tip if I may. If you have a walking foot, use it. I think nothing will ruin the lines of this coat more than waves / wonkey narrow hems. Plenty of steam and a walking foot will keep the bias under  control.

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I’m feeling pretty accomplished that I sewed a revered plaid coating. I didn’t get the plaid quite right at the front (sad trombone). But, I figure in movement it’ll be hard to tell.

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Posted in sewing

Spring Raincoat in the Middle of Fall: Burda 9-2003-120

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I managed to finish my spring raincoat in the last week of October. Heh. I have the best timing ever. I cannot believe this took me about a month to make. Which, if you read my blog before last year, would know is a ridiculously long time for me. I once made a winter coat in two weeks! It was even harder getting photos now that I leave the house at 7:30 am for work and don’t get back in until 7 pm. It’s dark when I leave and dark when I get home.

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Also, I SWEAR to you, each time it rained I felt like I was being taunted. Now that the jacket is done, it’s just cold :-/ As I said last post, I left my rain coat in Amsterdam back in September. Nothing tells you how much you need a rain coat until you don’t have one!

Unfortunately, my DSLR camera is in the shop. So, we’re using my (still very good) point and shoot. But, I was hoping to try out some of the shooting ‘red’ suggestions. The photos below aren’t too bad. But, the red is photographing hot making it hard to see some of the details. On to the jacket!

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This jacket is a basic parka with interesting details — something I think Burda excels in– when they aren’t making sack dresses. You could easily take about any parka pattern, add some D-rings and zippers and have the same look. But, this is also a good reason to hold on to your older Burdas. There’s a gem in there somewhere. This magazine is well over ten years old.

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I’m a little late on completing this jacket because after I posted my last update I installed the zipper and tried the jacket on for the first time. Well, when I tried on the jacket, the casing wasn’t balanced (one side higher than the other) AND it wasn’t hitting my waist (too low). So, it looked pretty terrible. I sulked for a day and then decided to spend a few hours taking out six rows of teeny tiny stitching for the casing and redoing the whole shebang. When I re-sewed it, I moved the waist band up about an inch and added the missing fourth row from my first go.  I was worried about the waistline casing then looking totally and completely overworked. But, this fabric actually heals pretty remarkably! And, totally waterproof.

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Redoing the waistband casing was absolutely worth it. The jacket is not  super fitted to begin with and I really needed the waist definition. The fabric was from a local warehouse sale and about $2 a yard. I seriously think this jacket was $20 to make or less! I did NOT tape the seams on this jacket. Because of all the topstitching, the seams were fairly water tight.

On this pattern, I made a 1.5 inch FBA, took 1/2 inch off the shoulders and made a swayback adjustment. I sewed a 40, grading out to a 46 with a touch more room in the thigh. My friend Liz thinks the jacket is a hair too big for me. But, I think it fits and allows for some boxier clothing underneath (i.e. the wool sweater I ‘m wearing).

What else… I wasn’t sure how to do the zipper so that the fabric lips covered up most of the teeth. I didn’t quite trust the Burda instructions and just did it my way. It’s not as closed as I would have liked. But, the blue zipper down the center isn’t as distracting as I thought it would be. And, I do love that the brass peaks through. I also found that NO NEEDLE (microtex, leather, sharp, universal)  I had wanted to top stitch through the zipper tape and two layers of my fabric. One of these days, I need take a minute and flesh out my needle stash.

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Speaking of zips… this two-way zip is 36 inches instead of the 40 asked for in the pattern. And, it was only $2.50 locally from Stadham Sewing in Baltimore (compared to $5 to $11 I saw online). The blue 9 inch zippers on the side were only 75 cents too.

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And they had this tiny 4 inch zipper for the totally useless sleeve pocket (I hope that yellow wax washes out!). I love  that place. I really may go in one day and buy four zippers in every color and length and just stash them.

The jacket is unlined and I am fine with that. The fabric is sturdy and doesn’t ravel.

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Overall, I’m pleased with this jacket. And, I’m really glad I had my heavy Bernina to sew it with. I was looking at the top stitching on Jordan’s jacket and it’s kind of wonky compared to this. You really need a heavier machine when you’re dealing with unruly material.

For this jacket, I went with contrast ribbon rather than the recommended leather. While I love the color variation, these ribbons act a fool on the regular. Please see below. If I take the jacket off and let it sort of crumple on the floor, the ribbons comes loose entirely. I’m contemplating stitching them down to keep them in order.

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The best thing about this project? It might our best photo shoot together.  I might not have to fire Jordan as my photograper.

Ahhh. Onward. I’m starting a winter coat next. At my current sewing pace, I figure that will be ready just in time for spring 🙂

Posted in sewing

Vogue 8776: Oscar de le Renta Double Wool Cape

With an unexpected two days off from work from Hurricane / Tropical Storm Sandy back in November, I got to business in my sewing room. I decided to sew three ‘quick’ unplanned projects that could be finished within three weeks. Ha! First, I finished up my Tracy Reese Dress (Part I of the Sandy Collection), sewed up my second Purple Friday dress (Part II of the Sandy Collection) and then moved on to this Vogue 8776 cape (the closing piece in the Sandy Collection runway show). I like my style. But, I am NEVER quite this ‘fashionable’. It’s a step outside my box that I plan to return to!

I first spotted this cape on Erica B. in 2011 and it was lust at first site. I wasn’t sure what to sew the cape with but wildly decided to use my Oscar de le Renta double wool that I purchased locally in Baltimore back in 2010. It was a random remnant piece in the store. They’d gotten it from a closing fabric store down south. So, it was by happenstance that I was able to buy it. But, Mood Fabrics online  is still stocking it in this and a second colorway! The lush (and expensive) fabric quickly became ‘too good to cut’. I consulted with my sewing bestie Trena and she said it was a bigger waste to let the fabric sit for years than sew something I wanted *now*.

Plus, the fabric is Linus Approved. How does this dog manage to sit on every piece of fabric in the house? It’s like he has a Warm and Cozy radar.

The first thing to note is this material is crazy thick. So thick  and warm that I  started regretting not making it in to a nice, every day work coat. But, as I progressed, decided the material is not suited to a structured garment. A cape was just about right.

I found it impossible to mark the wool layers with waxed tracing paper. So, for the first time in 20+ years of sewing, I made tailor tacks using my basting thread from the Netherlands.

Because the material is so thick, I didn’t want to use a double layer of the double wool  for the facings. So, I used two different scrap pieces of thinner wool I had laying about  (black and charcoal) for the inside collar and front facing. Which all required hand-freaking finishing. I’m sure there’s a way to do it by machine. I just didn’t think of it in time. I got it all done during a football game last Sunday. And I’m not handsewing for at least a six months. I detest it. From the facing to all those snaps, hand sewing is the worst. I don’t find it soothing, I don’t care how much control it gives me. It’s why projects languish unfinished for three months in my sewing room 🙂

Oh, speaking of which, Piece 2 (center front) isn’t marked with how many to cut. You’ll need four from your fabric and two from interfacing.  As for interfacing, I didn’t use any. Again, material was so stable with the fused wool, it wasn’t needed. But, I regret not using stay / twill tape at the center front seams. I think my edges are a bit wonky because it needs some stabilisation and the seams have stretched out a bit.

Buttons. You’ll see that I just have two placed at the in-seam buttonholes. I wanted to use all buttons, but with all the layers and double woolness, its was too thick to easily make buttonholes. So, I stuck with the already sewn in-seam buttonholes, and used snaps like Heather suggested in the comments from my last post on the cape. I like that they were already black (except the very last one) so they blend in nicely.

In honor of this cape (and to support two vintage coats in my wardrobe), I bought the cashmere-lined leather gloves I started looking for last year. Neiman Marcus Last Call had them for 50 percent off so they were “just” $47. I was pretty happy with them until I saw Oliva Pope’s cream colored, opera length, leather gloves on the latest Scandal episode. I swear that woman is *owning* winter white!


I know capes can by super impractical. But, they are great for warmer winter days and going in to fall. After a week of 30 degree temps, we’re back up to 50s this week. You never know what the weather will bring! I seriously now believe in having a coat wardrobe.  My blue cape is crazy popular and I get stopped on the streets.

I was so sad when I couldn’t tell you where to find this fabric. It was a total random find for me.  Here’s a link to the black and white herringbone version.  It’s pricey, but seriously luxurious. I’m glad I didn’t let it fester in ‘too good to sew’ land.

Thanks again to my Dearest Lizzie for her photography. Can you believe she has no photography experience?? When she offered to take pictures for me, I was hesitant. She’s big on the dark photos on a camera phone for her Facebook page. But, she blew me away!! Turns out, all she needs is a flash! It was her idea to go under the overpass at our office to get these shots. I apologize for the bitch face. All my smiling photos showed my increasing laugh lines in HD.

I also got several unsolicited compliments on my outfit. I’m wearing a blue bubble skirt I made to bike in the Netherlands with my recently completed black turtleneck.  It’s probably a little short for work but with the tights it seems to be o.k.

Onward! I need a palette cleanser. Two final sweater knit projects are coming down the pike.