Athletic Wear: Jalie 3462, Cora Leggings

You guys.

You guys.

I made leggings that did not require a full seat, full/forward/muscular/fat thigh nor a sway back adjustment.

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Don’t adjust your phone screen. What I speak is the truth. Because, the Jalie Cora Leggings are the MOTHER LOVING BUSINESS. Or magic. But, probably just really well drafted if we’re being honest. Yet, still a strong possibility of magic.

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When it comes to workout clothes, I’m a big fan of leggings. As my thighs have touched since birth, shorts give me continual chub rub and I don’t like to chafe. Leggings are my friend. I made three pairs of these and I LOVE them. They are stylish and comfotable and I felt totally hawt and fit!

Now, one bit of advice I would give should you choose to make these.  Listen is to your inner voice and DO NOT put the lightest color as the inner thigh contrast. Holy stare at my butt Batman!

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Eggplant, grey, teal with an eyeful of me.

After making this mistake with my first pair, I was far more judicious in my color choices with my  second and third pair – making sure to put the darker color at the center. Most of the fabric is from Suzie Spandex in Montréal – which I bought in purple, grey, black, red and blue during PR Weekend there like six years ago. What’s funny is the Jalie women were on that trip and raved about the Suziplex. The accent colors of baby blue and mint green are Supplex from Stretch House, purchased about six years ago in NY

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Black, grey, baby blue w. reflective tape

On my second pair, I added stretchy sew-in reflective tape to the calf and pocket seams (above).  Speaking of the pocket… Do you see my iPod bulging a bit at the back below my waist? It’s a crazy great pocket. It fits my huge android phone, keys and ID too.

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Chocolate brown and mint green

Of the many many yards of athletic fabric I’ve bought including Under Armor, Nike, and general supplex this Suziplex is the best stuff I’ve ever used. And, it’s sadly no longer being made. Melissa from FehrTrade tipped me off that they weren’t selling it anymore last year and I called and placed an obscene order – tariffs and international shipping be dammed! This of course left me with some odd colors (brown, teal, burgundy, and violet). But, I do not care. I will hoard these until they are sold for a $1 a yard at my estate sale.

I sewed a size X at the waist grading to a Z at the thigh based on my measurements. That’s it. No alterations. No special tricks. No sizing down. No topstitching the seams. I sewed this mostly mostly on my serger and used my coverstitch for the hemming.  I did add some reflective tape on two pairs for some night visibility.

I do vacillate between feeling really good with how these look on my butt to feeling like they show a lot of my butt. It’s so hurrrd being a  woman.

That’s it. I love them. Please pardon me while I go work out. Or walk the dog. He clearly is ready to go out.



They Call Me The Duchess: Style Arc Gorgeous Gore Skirt and Phillipa Peplum

I kind of went crazy when StyleArc put together several pieces from the 2014 Royal Tour to Australia. After two years, I finally sewed up the Phillipa Top, Gorgeous Gore skirt, and Kate dress from their Etsy shop as copy shop patterns (death to taping!). I would have bought the Catherine too, but it wasn’t available as a PDF.


I SWOONED over this pink wool jersey Alexander McQueen ensemble.

The Royals arrive into Adelaide

The royals, Kate and William, arrive into Adelaide without their son GeorgePictured: Prince William and Kate Ref: SPL743025 230414
Picture by: Splash News


Having the same lithe figure as the Duchess (HA!), I decided to whip up my own version using a polyester ponte knit I bought last year from Metro Textiles in the Garment District.


I wore it this weekend to Jordan’s grandfather’s 80th birthday dinner. And, that’s the only photo I have of it on me. It’s literally 100 degrees here (they are calling it a ‘Heat Dome’) and you’ll be shocked to know poly scuba does not breath. We snapped this on my cell phone for IG in the hotel and bolted for the restaurant.

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Any who, when I first sent the photo of this outfit on my dress form, my friend Liz said “I have to see it on. It looks potentially matronly”. I can see why. First, my dress form approximates but doesn’t mimic my figure. Second, I think we can all agree that perhaps Catherine dresses a little…. mumsy? That said, I’m actually pretty pleased with the silouhette overall on me.

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The Gorgeous Gore skirt is a really terrific beginner pattern and intro to StyleArc.  It’s just two pattern pieces and a really simple sew.  I purchased the 12-14-16 size range. For the skirt, I cut the 16 and ended up taking it in at the waist about three sizes and one size through the thighs. The instructions might be a bit  confusing if you read too fast. But, I sewed each panel with 1/4 inch seams and the side seams with 3/8 inch allowance. I ended up shortening the skirt by two inches and using 1/2 inch wide elastic at the waist rather that 1/4 inch.

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For the Philipa top, I found one online review and read a smattering of comments on other blogs about it being too low cut. Which, I did not find to be the case at all. Maybe because I’m a little busty it doesn’t come down as far as for others? I did also make an FBA and multiple muslins of the top. Why? Because it’s a new-to-me company and my fabric is precious.

Muslin 1:  I  started with a 16, raised the neckline by 1 inch and made a 1.25 inch FBA adding a side dart and shortening the front dart by 1 inch.

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Muslin 2: Dropped down to a 12, put the neckline back where it was and made a 1.25 inch FBA

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Muslin 3: Kept the size 12 (which is still a wee bit big) and reduced my FBA to 1 inch.  I also lowered the side darts 1/2 inch.  FYI, darts can end 1 to 2.5 inches from the apex. Mine still don’t. They are right up on me.

I also changed the 3/4 sleeves to a capped sleeve. Because, poly scuba in the dead of summer.

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And, here’s the back view. I can get the top on fine without unzipping. But, with a zip, it’s easier to get on without messing up my hair and makeup. So, I’m glad I kept it.

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StyleArc is AWESOME and I’m sorry it took me this long to discover them. I love, love, love this outfit. And, maybe someday I’ll actually get more photos of me in it! I hope to make this up in the fall in long sleeves using some of my stashed wool jersey — maybe a nice camel. Wouldn’t that look awesome with tall boots?


Cashmerette Patterns Concord Tee – Review

Hot time, summer in the city and all that, eh? In April, we went to Santa Fe for my 40th birthday. The night of my birthday dinner I did a wine pairing at a fancy Santa Fe restaurant. While I like my drink, I’m not a big drinker, but at the price point for the meal, I drank every last overpriced drop.

A few days after said dinner, the Concord Tee from Cashmerette patterns showed up in my mail box. Initially startled, I foggily remembered ordering it the night of said matched wine impaired dinner.  Apparently, you can drunk purchase.

I was drawn to the Cashmerette line for the lack of an FBA. I mean, I can make them. But, I don’t like it. For my muslin, I cut an E/F cup (I’m a 34G bra) with a 12 bodice, grading out to a 16 at the hip ( For reference, these days I’m sewing a 40 in Burda on top w. a 1.5 – 2 inch inch or so FBA and a 40 grading to a 46 on the bottom.) . My bust measurement is spot on for Cashmerette’s 12 E/F. But, my waist and hip fell between the 14 and 16.

While the bust generally fit, I found overall the shirt was bigger/ had more ease that I wanted. In addition, the front neckline was really wide on me so that my bra would show and a little low – just a sliver of cleavage. I also noticed that there’s a bit of extra fabric width between my bust and shoulders. Plus, the shoulders are a hair too wide for me as drafted.

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For my additional versions, I raised the neckline 1/4 inch and sewed 12; grading to just a 14 at the high hip.  Much better (didn’t make the shoulder adjustment yet).

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But, here in  these sitting photo, you can see what I mean about there being a little more length or width than I need between the upper bust and the shoulder.

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And, I can’t bend over in the v-neck version without exposing myself.

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I’ve made about four of these shirts in the scoop and v-neck, medium length and short sleeved. I’ve since altered the pattern for what I think will work best of taking out that 2 cm of gaposis but don’t have more fabric to test it in. I’ve also narrowed the shoulder 1/4 inch. Next time I get my hands on some cotton knits, I’ll make up a few more too.

Oh, I initially sewed the muslin as a tunic. Which I didn’t care for on me. But, I didn’t save a photo because I’m an idiot.

As for the instructions, I kind of just glanced at them. The pattern provides a lot of handholding which an intermediate to advanced seamstress might find unnecessary. The pattern has V-neck instructions I’ve not seen before. I used my TNT v-neck method from the Sewing Athleticwear from the Singer Sewing Reference Library.

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For my gray scoop neck version, I bound the neckline also using instruction from the Sewing Athleticwear volume of the Singer Sewing Reference Library. I did them this way because cotton knits tend to stretch. And this is a way of having a nice, snug  yet still stretchy neckline. It’s a really pretty and very neat finish that I like doing.

Now, the $18 elephant in my room. Is this pattern worth it? For ease of use, absolutely. It’s nice to have a dartless tee that actually fits. And, while I need a few small alterations for it to be my ideal, that’s nothing compared to starting from scratch with a B or C cup pattern. Plus, it’s great when a pattern fits you out the envelope. But, in my view they really aren’t supposed to if you want the best fit possible🙂

Button Front Skirt: Burdastyle 9-2009 #125

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About 20+ years ago I had a thrifted a-line skirt made from denim with buttons up the front. I’m not sure whatever happened to that skirt. But, I have noticed these skirts are all the rage lately and it seemed like a perfect summer skirt.  Enter BurdaStyle 9-2009 #125

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A really lovely basic skirt. It’s made up a few ways in the magazine including leather with the front closures or with a side zip in three different lengths.

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For my first version (because of course I made two) I used some leftover orange and cream stretch twill from the creamscicle dress I made six years ago.

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I sewed a 40 at the waist grading out to a 46 at the lower thigh. I also made swayback adjustment but totally forgot to add the inch I took out from the waist back to the skirt hem. So, it rides up a little in the back:-/ Also, my fabric is stretch so it flares a bit more than the pattern draft calls for.

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When sewing a skirt without a waistband, it’s inherently going to stretch as it’s all bias. So, you’ll want to use twill tape in the waist seam allowances or be sure to double stitch the waistline. Since I was making mine from denim and not leather, I also interfaced the front fold extension.

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The insides are all serged. It would be very pretty if I’d bound the insides (or useful if I’d taken a photo of the insides…)  But, I didn’t. I paired this skirt with my summer sweater made from orange cotton. It’s slouchy and comfy with this more casual skirt.

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Blue Denim:

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I wanted a skirt reminiscent of a traditional denim skirt and mimicked my high school skirt.  And, I wanted it to be casual enough to wear with some of the graphic tees I have but never wear (because I don’t have anything to wear them with).  My only additional alteration with this version was to add an extra inch in length to the skirt overall, but of course not to the center back to make up for my swayback adjustment. Sigh.

Jordan thinks these skirts are shorter than I normally wear. He claims I like to cover my knees. But, I wanted something short for summer that subbed in for actual shorts🙂

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For this version, I used really cute donut jeans buttons. I used dark grey topstitching thread and it pulls the nickel of the buttons in nicely. All but two of these buttons popped off while wearing or putting on the first few times.

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Overall, a nice little summer skirt pattern. And, for once I am on trend!  Plus, you know I love anything even vaguely nautical🙂

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This is an embarrassingly bad salute. I am clearly out of practice.



African / Dutch Wax Fabric Exhibit

Just popping in to give a plug for a wonderful textile exhibit I saw last week on African Wax Prints at the Philadelphia Museum of Art  with Carolyn, Andrea and Claudine.

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Philly is an easy two-hour drive from Baltimore and has one of the few remaining costume collections on the east coast. While no Met / Brooklyn Museum of Art collection, it was a phenomenal exhibition and worth a visit.

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The Vlisco: Fashion on a Global Stage exhibit is part of their season long Creative Africa focus.

Smartly curated, the Vlisco exhibit shows clothing made up in the wax prints. But, also highlights the history and meaning of various prints along the walls. In addition, they give a history of the company, how the wax trade worked and how the fabrics are made.

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Briefly, the fabrics we know today as ‘wax prints’ were originally made in Holland for the Indonesian market. The Indonesian batik process was labor intensive. So, the Dutch tried to speed up the process with mechanics.

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While the Indonesians rejected the prints, the global slave/commodities trade  brought it to the African continent and they fell for the bright and bold colors.

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I, as a confirmed magpie, will wear ALL the wax prints. Years ago I went to Ghana and must have brought home 60 – 100 yards of wax prints. I didn’t buy any fabric when I went to Bali. Turns out I was totally underwhelmed by Indonesian batiks. But, I highly recommend a textile tour if you do go to Bali. It’s worth it to see the process.

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Yet, when I look at Dutch wax prints, it’s easy to see the roots of the Indonesian batik process.

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You know, I generally don’t like saying ‘African’ because Africa is a continent made up of 54 different countries. I imagine it’s correct to say Dutch Wax Prints as the most famous line is Vlisco and they are made in the Netherlands. But, there are companies in Africa who also make prints like GTP.  I try to say Ankara which is how a lot of the West Africans I know refer to it and it shows up on Instagram.

Let’s close with some of my favorites:

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Shirtdress. This is going to happen this year. I promise.

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Cape Dress. It’s so gorgeous I weep.

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I just want to wear it and dramatically walk out of a room.

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Overall, a totally satisfying exhibit.


More photos from the exhibit with a few from my textile tour in Bali.

Some further reading if you’re interested:

Africa’s Fabric is Dutch, the New York Times

When West Africans Dress, the Fabric is the Message , The New York Times


Finally, I’m slowly working on altering some of my mom’s clothes for my wardrobe. This dress was made for my mom by my Aunt Judy when she visited Ghana.


I’d like to thank the Ghanian women who made my mom’s two piece dress for their 4 inch seam allowances. I was able to let the top out and wear it to the exhibition. I’m about six sizes larger than my mom.

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The bust is woefully unflattering (smooshes me into a pear vs an hourglass). But, it was my mom’s so I kind of don’t care🙂 You can read more about the dress here from when I first altered it to fit her.

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All The Things!

You guys. I am having, like the BEST summer ever. No, seriously. I’ve just been floating from happiness the last few days. Here’s what’s going on:

Designer Veronik Avery  was road tripping to TNNA in DC last week. Through quick Instagram begging I asked if she could stop in Baltimore on her way down and we met for crabs. Veronik is like the *realest*.  She knows what she’s talking about when it comes to knitting and sewing and design. I just want to sit in her halo and get all the knowledge I can.

Then, she asked if I’d like to come by TNNA Trade Show (The National NeedleArts Association) on Sunday and of course I said YES! TNNA was a new-to-me organization. It’s for the trade only. Vendors show their new lines for knitting, crochet and needlepoint. So, like two of the three things I’m currently obsessed with.

Went to TNNA w. @veronik_avery and managed to buy nothing. And, it was really really hard 😇 #tnnashow #tnna

A photo posted by Renee (@missceliespants) on

I didn’t feel comfortable taking photos on the floor so not many pictures from there.  Talk about a great guide though! Veronik was like a walking Rolodex and yarn encyclopedia and HI-larius. It was AWESOME.  I did find a crapload of stuff I want to try:

  1. This Sights and Scenes of London needlepoint canvas from Kirk and Bradley. Yes, I’m still working on my first needlepoint. One year in. Another two to go.
  2. This crab / maryland pillow to needlepoint
  3. These Country Bird inspired yarns from WYS
  4. This Caramel blanket cardigan (I saw it knit up vs just admiring on Ravelry)

Thank you Veronik (link to her IG) for introducing me to a whole new world and letting me crash your party!

Monday I took the bus to New York to do two things I’ve been DYING to do.

First, meet Jasika Nicole from and hang out with she and Marcy of Oonaballona fame. You’ll see I also made the right decision to keep my hair pinned back as it  CANNOT COMPETE in volume.

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I’ve never laughed so hard and had such intense yet lighthearted conversations in my life. I’d been looking forward to this for a whole month and it was EVERYTHING I WANTED IT TO BE.

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Second, I saw Manus x Machina at the Met.  If you can go, run. Don’t walk.

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Last year I skipped China Throught the Looking Glass because I wasn’t interested in Asian inspired design. But, the Costume Institute is more thoughtful than my literal interpretation.  Originally, I thought Manus x Machina would be like tech clothes or something. But, it wasn’t. Because, the curators are smarter than me.  Lesson learned: Don’t Skip the Exhibit.

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The show looks at different methods of creating garments using machine vs man and it’s stunning. Think lace work, pleating, manipulation and construction of haute couture. I want to take a twin size cot to the Met and sleep there so I can wake up every day to the incredible talents of designers.

And, I found the star fabric I needed to sew my Wonder Woman inspired swimsuit. Yeah. That’s right. Wonder. Woman.

So, a really really incredibly fun few days with friends.

I  also managed to finish knitting a summer sweater drafted in Garment Designer and overall I’m happy with it. I have a lot of mistakes and my seaming isn’t great. But, I KNIT something for ME.  I also only have cell phone snaps. And, I don’t know when I’ll get to do a proper photo shoot. Maybe when I sew the coordinating skirt?

Despite looking like an actual orange, happy with my first me-made sweater! 😁🍊

A photo posted by Renee (@missceliespants) on

It’s totally a ’round’ look on me. But,  I’m happy with it! I wish it had a little less ease and slightly shorter. But, I’m still learning my style with knitting and using the software. Ravelry notes here.


Oh, and after two years I changed my Instagram and Twitter to misscelisepants instead of fussbudgit.  I think I had Twitter before I had a blog so I picked an old nickname. Then when I had IG I thought it wouldn’t last (HA!) and just used the same twitter name to be consistent. It seems like Instagram is sticking despite my initial predictions. So, now I have the same name on my  blog, twitter and IG. Real big and exciting news, huh?

A Little On Garment Designer

I mentioned a few posts back that I’d purchased a design program called Garment Designer by Cochinelle. My main motivation to get this was for machine knitting projects. But, it also does draft for sewing patterns.


My friend Liz came over and we spent a couple of hours getting my measurements, plugging them into Garment Designer and spitting out a pattern. The patterns can be printed on any size paper from taped to plotter size.  I essentially used the options for the most fitted knit I could sew — allowing me to check out the overall fit of my sloper.

Covered my Celine @dritz_sewing dressform with my sloper muslin 😍

A photo posted by Renee (@missceliespants) on

I have to say I’m pretty happy! No darts were harmed in the making of this sloper.  I think I could use a bit more room in the bust, but not enough for me to care or (IMHO) for it to matter when it comes to knitwear for myself.

Once you have your design, you can then punch in your gauge and the program spits out basic directions for your increases and decreases (along with the row count, needle position and estimates of yarn needed). If you’d like, they also give shaping instructions for making your bands too. Or, if you’re hand knitting, it will tell you how many inches along you should be and the number of live stitches.

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I don’t know how much I’ll use it for sewing as I have plenty of patterns to make. But, never say never!


Hopefully Rose Trellis Shawl for a knit a long on Ravelry

So, that’s an overview of the program. Hopefully next time, I’ll tell you if it actually works!




Maryland Sheep and Wool Festival 2016

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One of the Six Barns At MDSW

For years I’d heard from knitters all over the world about Maryland Sheep and Wool (MDSW). But, as a sewist had minimal interest. I’m not much into livestock and I wasn’t a knitter. Yet, once the machine knitting bug hit, I was chomping at the bit to get there. I was feeling nervous about going as I still don’t know that much about yarn properties itself. But, my co-city dwelling friend Jeanne offered to take me.

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Jeanne is my Spirt Guide

MDSW (for me) would be totally overwhelming as a new knitter. Having someone who knows the lay of the land and can help you pick out the right yarns is a lifesaver! Plus, Jeanne and I both machine knit and genuinely had a great time together.

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First of all, what is MDSW? Well, it’s a gathering of all things lamb and fiber related. There are vendors, livestock, and food.

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There’s fleece and roving for spinners and weavers.

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He wasn’t trying to leave anything behind

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There are buttons, pins, shampoos and rinses for knitters. And, there is yarn. Holy hell there is a lot of yarn.

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I showed minimal restraint overall and brought home enough yarn to keep me busy all year and then some. When I walked into the main convention hall, I just stopped and tried to figure out how in the world I was going to pick out items I wanted.

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Luckily, I came with a list and ideas about colors. That helped immensely.

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I also had two great encounters! I met Dana (all the way to the right) from Yards of Happiness. You might remember her from her old blog The Art of the Accessory. I’ve been following her knitting for years and it was a real pleasure to meet her in real life. She’s coming up to Baltimore soon and I’m going to show her my machines!

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She also hipped me to Miss Bab’s yarn. Which, I think, was the busiest booth at the convention. The stall was so full of people, it’s possible she was giving away crack with each purchase. I picked up several beautiful seven-skein sets to start my Christmas/ Hanukkah gift scarf knitting early.  Let’s just say I’ve paid for someone’s college textbooks with the damage I did at Miss Babs.

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Not Claire. Just the first person I saw working spinning wheel. If that’s what it’s even called.

I also got to meet the lovely Claire  who blogs about her sewing and knitting at Hoopes Park Studios who was helping a friend staff the Verdant Gryphon booth. Of course, I have no photo of us because I was on hour six at the Festival when she spotted me roaming aimlessly in a goat-fueled daze.

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I was trying to find a purple yarn to knit Liz a cowl. I kept texting her photos before we settled on one.

MDSW is terrific and I hope to go back year after year. And, um, I hope to knit everything I brought home before I go back.

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Yarn for three sweaters, five scarves and one hat

I’m on my way! Well. Sort of. I at did start to cake my yarns using my awesome new swift (also purchased at MDSW).

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Miss Babs’ Good Little Witch in a worsted super wash Merino

I might need a time out.

Simplicity 8013: Uncle

I’ve been lying to you. Turns out: I can’t sew. This weekend is Maryland Sheep and Wool. I think I’ll just buy some yarn, make a bed of wool and cry myself to sleep at night.

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I’m all done with this one.  The fabric, pattern and muslins are all in the trash bin.  I can say the tips for the bias stretch really worked! But, the dress is not working for me. I’m not getting the coverage I need. And, I’ve lost interest in figuring it out.

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On to the next project.


Simplicity 8013: Bodice Muslin #586

I got a lot of terrific advice after posting the disaster that was Simplicity 8013. For this version, I’ve made a few changes. Below is still muslin fabric. But, I used something with more slip to work out my changes.

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    1. Several of you suggested my FBA was too large. Take pleasure in knowing you were right! Originally, I sewed a 12 with a 2.5 inch FBA. I went back to the drawing board and selected the 16 based on on my upper chest measurement (39 inches) and made a 1 inch FBA. This gave me a much smaller and more manageable side dart.
    2. Ann of Gorgeous Fabrics referred me to an old Threads article  (starts on page 70) that talked about bias necklines. I used some of the directions from this piece. Primarily, I gave the neckline a 1 inch seam allowance, used rayon tape along the seam and eased the fabric to stabilize the neckline.

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I based the length of the tape on the pattern piece. Then, eased it to the fabric.

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I probably eased almost an inch extra to the rayon tape. That bias grew just by looking at it.

A GREAT reference for fitting a wraps dresses is Beth of Sunny Gal Studio‘s post on Craftsy. I raised the neckline 3/4 inch because I could still see the top of my bra in the muslin and this looks pretty low cut in the line drawing.

Finally, I pinched out 1/2 inch from the length of the neckline as it was still not snugging up.

I’m thinking about omitting the bodice lining. It’s a different pattern piece for the bodice lining and I’m pretty happy with the way to top fits now. And, my fabric is polyester and is going to be hot as all get out as is.

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Hopefully next time you see me, it will be with a completed dress!

Also, I lost my entire Sunday to Beyonce’s Lemonade. Seriously. Freedom is hands down my song this year.